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Inky fingers - Josh Brooks writes on print

March 2008 - Posts

  • More gore from the world of print...

    I couldn't help being gripped - and horrified - by a story of murder and suicide that turned up this morning about two press operators in India who have both died in the tragic conclusion of what appears to be a years-old family feud.

    According to a report on newindpress.com, one of the printers, 29-year-old Srinivasan is believed to have murdered his brother-in-law, 45-year-old Ramalingam, in the printing factory in Teynampet, near Chennai, where they worked. Ramalingam was found yesterday morning in the factory with his throat cut and Srinivasan had hanged himself.

    The two worked on the same press and, according to the factory's owner, they quarreled often. Police are working on the assumption that Ramalingam was killed by his brother-in-law who then hanged himself when he was overcome by guilt.

    For the full story, visit http://www.newindpress.com/NewsItems.asp?ID=IE920080324234011&Page=9&Title=Chennai&Topic=0&

  • Inside News International's Broxbourne plant

    PrintWeek visited News International’s new print plant at Broxbourne months ago, but it has been all over the news in the last week or so after it ran an open day for national newspaper journalists.

     

    The best coverage of it so far has come from The Guardian and its well-respected media commentator, Roy Greenslade, who shot an excellent video of the plant in action. So for all of you desperate for a look inside the UK’s biggest print plant – and at those legendary triple-width MAN Roland presses – here’s a link to that video. Enjoy.

     

    http://www.guardian.co.uk/media/2008/mar/17/pressandpublishing.rupertmurdoch

     

  • Life after NJP - in Dubai

    We hear very little from workers who are made redundant, but a heart-warming story has turned up of two former press operators who lost their jobs in New Jarrold Printing’s dramatic collapse in 2006.

     

    According to the Norwich Evening News, Les Britcher and Jamie Spring have found new jobs in print by moving to the sunny climes of Dubai to train a team of Indian and Filipino immigrant workers there on how to use a Komori System38 press.

     

    But not only have they moved to the fast-growing Middle Eastern city – they have followed the very press that they ran at New Jarrold Printing, which had been bought in 1999. After the closure of NJP, the press was bought by Zabeel Printing Press, a company in the United Arab Emirates, which last year advertised for operators.

     

    Britcher told the paper: “I didn’t think I would ever see the press again, and when the advert appeared in the paper my response was to apply for it immediately. To a certain degree I feel an emotional attachment to the machine.”

     

    Spring added that working on the press now is “as if we’ve never been away from it”.

     

    If you have a story about what you’ve done since leaving the print industry, let us know in the space below.

     

    For the full story, click here.

     

  • Cleanliness is close to...

    I was lucky enough to be invited to Japan a couple of weeks ago by Apex Digital Graphics to witness the worldwide launch of Ryobi’s venture into the B1 market, the 1050 press.

     

    Plenty will be written, I’m sure, about that machine both in PrintWeek’s pages and elsewhere in the run-up to Drupa. But today I want to share some impressions about Ryobi’s press manufacturing set-up.

     

    For one thing, there is a timing device which measures how long it takes workers to walk 10 metres – 6 seconds is the aim. Our guide around the factory told the gathered print industry journalists and potential customers that this was designed to keep employees’ pace up as they walked around the site – a novel concept, and it seemed to work. I wonder what the unions would say about it in this country?

     

    Second was the precision of the line manufacturing the press units. Each unit is built in seven separate stages, with one or two people responsible for each stage of the process. Each stage takes a maximum of 75 minutes – a prominent clock counts down how much time is left before the unit will be picked up and moved on. There is little room for error on the part of the workers; but, apparently without fail, a unit rolls off the production every one and a quarter hours.

     

    But most striking of all was the absolute cleanliness of the factory – you could, to use an awful cliché, eat your dinner off the floor. I have only visited one other press manufacturing plant, which was somewhat more cluttered, and I suspect that few are as spotless as Ryobi’s. What I can say is that very few printers I have visited have been as meticulously clean as Ryobi’s factory.

     

    I’m not saying that Ryobi’s press is better than any others in the market because of its clean factory. But I do think that attention to detail on the factory floor and the sort of clearly defined workflows that Ryobi’s plant exemplifies can only be good for business.

     

    A workplace where everyone has clearly defined goals and takes real pride in their job and working environment is, I believe, indicative of a well-run company. And that, as we all know, means a healthy bottom line.