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Printer’s Devil – it’s in the detail

I have held an iPad and it's smudgy

On the way to the London Book Fair yesterday I was sitting opposite a chap on the tube who was reading using a Sony Reader, contained in a suitably snazzy leather case.

I immediately assumed he would be heading to the Book Fair too, but not so. He continued with his journey while I alighted at Earl's Court. It was a notable happening in being the first time I've seen someone reading using an e-reading device on public transport.

Once at the show, the whole topic of digital content and rights management was very much to the fore. I saw three iPads (two of them on the Pindar stand), and was informed there were something like seven at the show overall - this number would no doubt have been rather higher had various attendees travelling from America not been absent due to the ash-based travel lockdown.

Content management specialist Aptara had a full complement of e-readers on its booth, including the iPad, Sony Reader, Barnes & Noble Nook, Amazon Kindle and also the iPhone (my colleague Barney Cox tells me he frequently reads books on his).

The firm's Lindsay Macleod reckons the iPad "meets some people's expectations but not others, and the jury is still out on the reader experience".

Meanwhile, at the Pindar stand I was able to compare reading Winnie the Pooh with full colour illustrations on the iPad, against my comparatively rather dull old Kindle. Top tip for putative iPad purchasers: you'll need to carry a microfibre cloth with you at all times, the screen's ability to pick up fingerprint marks is on a par with that of a black glass coffee table from Argos.

Despite all the digital content focus physical books still dominated, and the range of formats and cover treatments on display made the link between print production and publishing creativity abundantly apparent.

Special mention must go to CPI, which produced a lovely little mock-paperback with blank pages, for use as a notebook: Writer's Block by Paige Turner, "every page is imbued with nothingness". The cover was produced using the firm's latest super matt laminate finish, which has extra tactile appeal, while the sell on the outside back cover provided a neat synopsis of its services. An excellent example of marketing one's services by putting an entirely appropriate promo into the hands of potential clients.

Comments

 

Stuart McMichael said:

Surprised this seems ‘smudgy’ as the iPad should come with an oleophobic ‘finger print resistant’ coating.

Looking forward to reading Printweek on an iPad. Just make sure you don’t start using Flash content though!

April 21, 2010 1:55 PM
 

martyn ELMY said:

Joe

Perhaps it is time to remind the world that without pre-press there would be no Apple today, if the printing industry had not stuck with Mac's during the PC push, Apple would have folded years ago.

Might be fun to run a blog, 'when did you first use an Apple' might even draw out a few old Lino-types who used Lisa's.

Martyn

April 21, 2010 4:51 PM
 

Twitter Trackbacks for I have held an iPad and it's smudgy - Printer???s Devil ??? it???s in the detail | printweek.com blogs [printweek.com] on Topsy.com said:

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April 21, 2010 5:32 PM
 

Paul Sherfield said:

Hi Jo

Never saw you as 'a black glass coffee table from Argos' type of girl!

April 22, 2010 11:12 AM
 

Jo Francis said:

Paul,

I'm not, I prefer surfaces that don't show dust and/or fingerprints.

;-)

April 22, 2010 1:07 PM
 

Chris Lavers said:

So it's just more flipping housework!  Include me out.  Love CPI's blank notebook concept.

www.youtube.com/watch

Also, this supermatt laminate finish sounds great.  I remember a certain toilet roll four pack packaged in supermatt plastic wrapping, or it might have been a fine gritty ink, who knows?  As soon as I picked it off the supermarket shelf I was stopped dead in my tracks.  And that's just bog roll!

April 22, 2010 3:02 PM
 

will pollard said:

Physical books still dominated but most of the presentations were about e-books. I think print world should continue watching. What is "pre-media" at IPEX? Will it include the ePUB format? Yes, pre-press helped the Mac but if eBokks now ignored, someone else will do it. No Espresso machine this year. What happened? Jo. please track this down. The short run printers I spoke to still supply a national distribution. Surely production could be more local?

April 26, 2010 12:11 PM
 

Artist’s Question? | Custom oil painting said:

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June 18, 2010 4:18 AM

About Jo Francis

Jo Francis has worked in print-related businesses for more than 25 years. Along the way she has been a typesetter, a screen printer, a technical and customer support pre-press specialist, a communications consultant, and an editor. She is a former editor-in-chief of PrintWeek magazine and is currently associate editor of Haymarket's print titles.